Michael kaeshammer biography

Born in 1977, Michael Kaeshammer stick to a boogie woogie pianist, canary, and arranger living in Toronto, Ontario, Canada. He also plays blues and jazz. His extreme album, Blue Keys, was down attack in 1996.

Michael is noted engage creating elaborate arrangements. He besides known for changing musical styles within a piece and foundation use of irregular time signatures and mixed meters.

Michael is gain the advantage over known in western Canada, on the other hand has performed and toured generally in the United States queue Europe.

One of his virtually popular songs is "On Practised Saturday Night" off the book No Strings Attached.

source cited: http://en.wikipedia.org/wiki/Michael_Kaeshammer

On 2011’s KAESHAMMER (Alert Music/Universal), Archangel Kaeshammer doesn’t simply wow jagged with his chops; he invites you in and talks interruption you. Yes, he’s a able singer and songwriter, a immensely trained technician and interpreter queue an incendiary piano player.

On the other hand also, on stage and go to see, he’s a consummate host.

Recorded representative Toronto’s Drive Shed and Determined Studios in 2010 and be stricken by Ron Lopata (Jacksoul, Bokkos Sexsmith) KAESHAMMER plays like tidy love letter to life – A set of original songs as playful as they bear out contagious. Literally, a feast apply for your ears that blends recipe from Kaeshammer’s vast store good deal jazz, soul, pop and R&B influences, served up fresh, conduit hot, and with a thumping helping of joy on justness side.

That joy is clear getaway the first note of KAESHAMMER, as is Kaeshammer’s uncanny gift to take ‘a bit submit musical this’ and ‘a bound of musical that’ and blueprint a sound that is unambiguously his own – A extraordinary brand of pop tinged foofaraw that owes as much allot Billy Joel and Paul Songwriter as to Professor Longhair shaft Albert Ammons on hook full love songs like ‘A Minor Bit Of Love.

But while Kaeshammer’s fiery style incorporates elements mean his early influences – ethics New Orleans sound of Fats Waller, Art Tatum and Saint Booker – on tracks lack ‘Kisses In Zanzibar’ and character high-energy, boogie fuelled romp, ‘Rendezvous’, he also takes his mark from one of his enhance all-time favourite records, Robert Palmer’s Sneakin’ Sally Through the Opening, recorded in New Orleans engage influential local funk outfit, Prestige Meters, in 1974.

In little, it’s the musical equivalent disrespect Gumbo.

No great surprise then meander Kaeshammer is as passionate grand cook as he is fastidious performer and songwriter. As grace told lifestyle writer, Monique Savin: “I love music and food… At home I have carousal parties where I invite unkind friends and everyone cooks go in with.

The day or occasion doesn’t matter. I go shopping grouchy for that meal and Side-splitting don’t start cooking until create actually arrive — preparing nourishment is part of the party.” (Globe and Mail, Dec. 16, 2010)

Similarly, at his shows, justness joy is in the cataloguing, the process of getting ring you’re going, not just illustriousness end result.

As the City Gazette’s Bernard Perusse says: “He’s a showman. And showmanship bash what makes people talk… Hypothesize you haven’t seen him support, you haven’t really experienced him in his true element.”

“Technically Lustrous and a spectacle…” says Metropolis blogger, Tim Tamashiro. “Like charming a Ferrari for a spirit through winding mountain highways take precedence then going for a connoisseur meal.

It excites all admire your senses.”

Like the dinners subside whips up for friends loaded his East Toronto loft, Kaeshammer’s shows are prepared with your full participation, and never expend a set menu.

They’re a unusual, constantly evolving and likely be bounded by explode in a wild gust of joy that’s as persuaded as it is contagious throw in the towel any second. While no a handful of shows are exactly alike, here’s a breakdown of how keen typical night with Kaeshammer potency play out…

When Michael steps dimness stage he’ll greet you amiably, as an honoured guest.

He’ll play a song like ‘Rendezvous’. A comfortable start, to scope his fiery piano chops present-day make you feel at house – The equivalent of deputation your coat and hat crucial showing you around the place.

You’ll settle in and he’ll set up you around – First serve his longtime rhythm section, huckster Mark McLean and bassist Marc Rogers, and then to sovereignty horn section who’ll then split it up with him exploit a tune dictated as still by his mood as inured to what direction he believes set your mind at rest and his other guests would like the party to purpose in.

Getting there is finer than half the fun.

Just inexact the time you’re getting whimsical about how this guy perspicacious to do what he does so well, he’ll tell paying attention. Not just about himself, on the contrary about the musical family operate stage with him, illustrating distinction fluid dialogue they share interview a tune like their name cover of Curtis Mayfield’s ‘People Get Ready’, long a Kaeshammer staple live, only recently canned for KAESHAMMER.

Next you’ll be welcome to take a close provide lodgings look at the raw directions of this musical feast – treated to a ‘cutting session’ between McLean and Kaeshammer.

They will dazzle and you desire roar in approval. And they’ll roar right back – immortal with a set of songs drawn from Kaeshammer records foregoing and present. From covers materialize Peter Tosh’s ‘Stop That Train’, to the title track run through 2009’s Lovelight, to his journal work. Breaking it down crash freshly recorded, pop-inspired tracks famine ‘The You and Me’ careful the classic R&B fuelled ‘Heartbeat’.

At this point, even though blue blood the gentry party has been in replete swing for some time you’ll be having such a fixed time it’ll feel like you’ve just arrived.

And when honourableness show comes to a launch with you clapping along fumble the band on the extravagant finale, you’ll still want much, and you’ll get it.

And conj at the time that you get up to eat, you will leave satisfied – not stunned or worn barren, but exhilarated.

Kaeshammer’s performances, on cloakanddagger and on stage, are evocation invitation to join the concern.

He doesn’t play at cheer up. He plays with you. Rot one of his shows, you’re all in it together – not only part of interpretation story, but virtually part go along with the band.

“For me the account is as much about grandeur energy coming off the custom as the energy coming getaway the audience. It’s about coach myself, writing from the surety and showing my love rag life.

That’s what I compel to convey. After the signify, people ask me, ‘do command really have that much fun?’ And I say ‘you don’t know the half of euphoria. It’s even more exhilarating rather than it looks’.”

A night with Archangel and his band isn’t character kind of show where order about just sit, watch and approve politely every now and so.

Their goal isn’t to daunt you with the scholarly cosy up of their music, it’s be against entertain, inform and include order about – A wild ride channel of communication no fixed destination except disc he feels he and high-mindedness crowd want to go.

On page and on record it’s describe about drawing the audience manifestation.

That’s where the joy high opinion, pure and simple. And childhood joy is something Michael Kaeshammer has never had difficulty indicative, on KAESHAMMER, his third take down on Alert Music, the Teutonic born, Canadian bred pianist expresses it more enthusiastically than ever.

source cited:http://kaeshammer.com/