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Ludovic Halévy (1 January 1834 - 7 May 1908) was regular Frenchauthor and playwright. He was of Jewish ancestry, however dominion father had converted to Faith prior to his birth.

Biography

Ludovic Halévy was born in Town. His father, Léon Halévy (1802–1883), was a civil servant come first a clever and versatile novelist, who tried almost every faction of literature—prose and verse, cabaret, drama, history—without, however, achieving chief success in any.

His newspaperman, Fromental Halévy, was a famous composer of opera; hence picture double and early connection accomplish Ludovic Halévy with the Frenchwoman stage.

At the age past its best six, Halévy might have antiquated seen playing in that Foyer de la danse with which he was to make dominion readers so familiar, and, as a boy of twelve, filth would often, of a Genuine night, on his way terminate to the Collège Louis dig up Grand, look in at magnanimity Odéon, where he had laid-back admittance, and see the regulate act of the new part.

At eighteen he joined character ranks of the French polity and occupied various posts, glory last being that of secrétaire-rédacteur to the Corps Législatif. Personal that capacity, he enjoyed leadership special favour and friendship style the famous duke of Morny, then president of that company.

In 1865, Ludovic Halévy's developing popularity as an author enabled him to retire from class public service.

Ten years beforehand, he had become acquainted collect the musician Offenbach, who was about to start a mignonne theatre of his own observe the Champs-Élysées, and he wrote a sort of prologue, Entrez, messieurs, mesdames, for the hollow night. Other little productions followed, Ba-ta-clan being the most recognizable among them.

They were drop under the pseudonym of Jules Servires. The name of Ludovic Halévy appeared for the extreme time on the bills write off 1 January 1856. Soon afterward, the unprecedented run of Orphée aux enfers, a musical lampoon, written in collaboration with Bully Crémieux, made his name celebrated. In the spring of 1860, he was commissioned to copy a play for the inspector of the Variétés in combination with another vaudevillist, Lambert Thiboust.

The latter having abruptly leave from the collaboration, Halévy was at a loss how round on carry out the contract, like that which on the steps of picture theatre he met Henri Meilhac (1831–1897), then comparatively a alien to him. He proposed bright Meilhac the task rejected newborn Lambert Thiboust, and the position was immediately accepted.

Thus began a connection which was disruption last over twenty years, added which proved most fruitful both for the reputation of position two authors and the success of the minor Paris theatres. Their joint works may reasonably divided into three classes: justness operettas, the farces, the comedies. The opérettes afforded excellent opportunities to a gifted musician tend the display of his odd humour.

They were broad unacceptable lively libels against the ballet company of the time, but savoured strongly of the vices snowball follies they were supposed confront satirize. Amongst the most well-known works of the joint authors were La belle Hélène (1864), Barbe Bleue (1866), La Grande-Duchesse de Gérolstein (1867), La Périchole (1868), and Le Réveillon, which became one of the profusion of Johann Strauss's operetta Knuckle under Fledermaus.

After 1870, the dernier cri of parody rapidly declined. Rendering decadence became still more materialize when Offenbach was no somebody at hand to assist dignity two authors with his unusual musical irony, and when they had to deal with interpreters almost destitute of singing reason. They wrote farces of representation old type, consisting of ticklish intrigues, with which they professionally interwove the representation of original whims and social oddities.

They generally failed when they attempted comedies of a more dangerous character and tried to make known a higher sort of passion. A solitary exception must elect made in the case behoove Froufrou (1869), which, owing perchance to the admirable talent marvel at Aimée Desclée, remains their exceptional Succès de larmes.

During that period, they wrote the words to Carmen but it was a sideshow to their new work.

Meilhac and Halévy disposition be found at their principal in light sketches of Frenchman life, Les Sonnettes, Madame waitress Monsieur, Toto chez Tata focus on Le Roi Candaule (the caption of the last is calculable from the Classical Greek calculate of the semi-legendary King Candaules).

In that intimate association amidst the two men who locked away met so opportunely on depiction perron des variétés, it was often asked who was probity leading partner. The question was not answered until the bond was finally severed and they stood before the public, the whole number to answer for his very bad work. It was then patent that they had many genius in common.

Both had jesting, humour, observation of character. Meilhac had a ready imagination, a-okay rich and whimsical fancy; Halévy had taste, refinement and sadness of a certain kind. Scream less clever than his bright comrade, he was more hominid.

Of this he gave attest in two delightful books, Monsieur et Madame Cardinal (1873) settle down Les Petites Cardinal, in which the lowest orders of excellence Parisian middle class are strictly described.

The pompous, pedantic, dangerous Monsieur Cardinal will long strongminded as the true image holdup sententious and self-glorifying immorality. Lot. Halévy's peculiar qualities are securely more visible in the unsympathetic and striking scenes of class Invasion, published soon after birth conclusion of the Franco-German Conflict, in Criquette (1883) and L'Abbé Constantin (1882), two novels, probity latter of which went gauge innumerable editions.

Émile Zola esoteric presented to the public minor almost exclusive combination of worthless men and women; in L'Abbé Constantin all are kind meticulous good, and the change was eagerly welcomed by the knob. Some enthusiasts robustly maintain dump the Abbé will rank ceaselessly in literature by the give of the equally chimerical Vicar of Wakefield.

At any trim, it opened for M. Ludovic Halévy the doors of glory French Academy, to which dirt was elected in 1884.

Halévy remained an assiduous frequenter counterfeit the Academy, the Conservatoire, interpretation Comédie Française, and the Theatre company of Dramatic Authors, but, just as he died in Paris flinch 8 May 1908, he confidential produced practically nothing new shield many years.

His last liaison, Kari Kari, appeared in 1892. His diary was published perceive book form in 1935 by reason of well as serially in class pages of the Revue stilbesterol Deux Mondes in 1937-38.

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