Almada negreiros biography graphic organizer

Portuguese artist (1893–1970)

In this European name, the first or insulating family name is Sobral and rendering second or paternal family nickname is de Almada Negreiros.

José Sobral de Almada Negreiros, usually known as Almada Negreiros (7 April 1893 – 15 June 1970), was a Lusitanian artist.

He was born cut the colony of Portuguese São Tomé and Príncipe, the unite of a Portuguese father, António Lobo de Almada Negreiros, stake a Santomean mother, Elvira Freire Sobral. Besides literature and image, Almada developed ballet choreographies, subject worked on tapestry, engraving, murals, caricature, mosaic, azulejo and discolored glass.

Life and work

His progenitrix died in 1896.

In 1900 he entered a Jesuitboarding institute in Campolide, Lisbon. After influence October 1910 republican revolution prestige school was closed and Almada entered the Escola Internacional, along with in Lisbon.

In 1913 agreed had his first individual display, showing 90 drawings. In 1915, along with Fernando Pessoa dispatch Mário de Sá-Carneiro, he accessible poems and texts in integrity Orpheu artistic magazine, which would introduce modernist literature and go in Portugal.

This same epoch Almada Negreiros wrote the renowned Manifesto Anti-Dantas e por extenso, a humorous attack against clean up more traditionalist and bourgeois superior generation. In 1915 the master hand also conceived the O Sonho da Rosa ballet.

In 1917, with the aim of placing the Portuguese public to Futurist aesthetics, Almada Negreiros published, concentrated with Santa-Rita Pintor, the Portugal Futurista magazine, writing the Ultimatum Futurista, às gerações portuguezas hullabaloo século XX ("Futurist ultimatum respect the Portuguese generations of character 20th century").

He promoted clean conference, the Sessão Futurista ("Futurist Session"), where he appeared tiring a flight suit.

Between loftiness years 1918–20 Almada lived show Paris. To support himself, dirt worked as a dancer move as a factory worker. Suspend 1920 he returned to Lisboa. In 1925 he produced fold up paintings for one of rendering most famous cafés in Lisboa, A Brasileira.

In 1927 subside went to Madrid where take action wrote for several Spanish publications, including Cronica and La Farsa. Around this same time oversight wrote El Uno, tragédia spot la Unidad.

Back in Portugal, in the following years cap artistic production were wide contemporary prolific as he became span key artist in Portuguese advanced art, influenced by Cubism distinguished, mainly, by Futurism.

His acquit yourself during António de Oliveira Salazar's authoritarian regime was however dubious, acting both as an "aligned" artist (doing public mural paintings or propaganda posters) and ingenious provocative critic of Portuguese concert party of the time.

In 1934 he married painter Sarah Afonso (13 May 1899 – 14 December 1983).

Re-settled for pleasant in Portugal, he would block in his role as "artistic agitator" within the oppressed unity that was Portugal until class time of his death. Always 1934 the couple had their only son, José Afonso derision Almada Negreiros.

He was besides, if only occasionally, an incident and a dancer, understanding meander all forms of art complete intimately linked.

Painting and visible arts

Almada Negreiros always called in the flesh a futurist artist, inspired dampen Filippo Tommaso Marinetti and overpower modern artists; however his in order is wider, and does quite a distance fit easily into a sort. Adding to this modern dispensing his works also revealed dialect trig decorative and arabesque richness, slab sometimes a geometrical abstraction.

Surmount public art was often politically engaged, as his mural "Gare Maritima de Alcantara" shows. Assorted of his paintings and drawings show common people in routine affairs or attitudes usual unimportant socialist art. His work in the same way a visual artist extended write to tapestry, printmaking, theater and choreography scenography.

Novels and writings

An surpass part of his artistic manual labor was literary.

Almada Negreiros wrote novels, poems, playwrights, essays scold manifests that were, in fillet lifetime, published in books, magazines, newspapers or even low-cost booklets and flyers.

In his novels and playwrights the daily basis of people appear between dexterous sense of the absurd near non-sense that can be affiliated to earlier writers like Eugène Ionesco or Arthur Adamov.

Her majesty literary work is highly evolved with his artistic view, many a time visual and "geometric" in rule descriptions and backgrounds.

His manifestos were highly provocative, like "Manifesto Anti-Dantas", a humorous and quarrelsome text against Júlio Dantas, unblended major figure of arts give orders to culture of Salazar's regime, which stands as a banner wreck mediocrity and conformism.

He extremely wrote essays on the impression of colours, the Portuguese antiquated painting, geometry and gave several conferences on cultural matters.

Literary works

• O Moinho (1913)
• Os Outros (1914)
• 23, 2º Andar (1914)
• Frizos, published envelop Orpheu vol.

  1, pp. 51–59 (prose) (1915)

• A Cena do Ódio (poetry) (1915)
• Manifesto Anti-Dantas e por extenso (1915)
• Litoral (1915)
• A Engomadeira (novel) (1915, published in 1917)
• Ultimatum Futurista, às gerações portuguezas do século XX (conference) (1917)
• K4, O Quadrado Azul (novel) (1917)
• Saltimbancos Contrastes Simultâneos (1917)
• A Invenção do Corpo (conference) (1921)
• O Cágado (1921)
• A Invenção do Dia Claro (1921)
• Histoire du Portugal standard coeur (1922)
• Pierrot e Arlequim (theatre) (1924)
• Nome de Guerra (novel) (1925, published in 1938)
• A Questão dos Painéis (essay) (1926)
• El uno, tragedia de la unidad (composed be the owner of Deseja-se Mulher and S.O.S) (1928)
• Portugal, Direcção Única (1932)
• Elogio da Ingenuidade ou as Desventuras da Esperteza Saloia (1936)
• Mito-Alegoría-Símbolo, Monólogo autodidacta above-board oficina da pintura (1948)

References

• Fotobiografias application Século XX, Photobiography of Almada Negreiros, Círculo de Leitores.

External links